Lyn McCrea Finalists 2019 Lyn McCrea Finalists 2019

The Lyn McCrea Memorial Drawing Prize 2019 is dedicated to the memory of the late Lyn McCrea (1944 – 2015); contemporary visual artist, art educator and art collector.

The Lyn McCrea Memorial Drawing Prize was established by John McCrea in 2015 to honour Lyn’s passion for drawing as fundamental to visual arts practice. The non-aquisative prize is a national award held annually and is open to all practicing Australian contemporary artists. The aim of the prize is to promote excellence in contemporary Australian drawing.

The Lyn McCrea Memorial Drawing Prize is auspiced by Noosa Regional Gallery.

The winner of the Lyn McCrea Memorial Drawing Prize will receive $5000

The People's Choice Award winner will receive $1000

The People's Choice Award is proudly sponsored by Friends Noosa Regional Gallery.

 

KEY DATES:

  • Official Exhibition Opening and Announcement of Winner, Saturday 2 November 2019 from 3-5pm
  • Exhibition dates, 2 November – 1 December 2019

** If you are travelling here and plan to stay locally, please note that there will be limited accommodation availability due to the Noosa Triathlon.

Thank you to our supporter John McCrea. 

 

LYN McCREA MEMORIAL DRAWING PRIZE 2019 FINALISTS

 

 

 

 

 

 

Kim Anderson, Mourning Dance I, 2018, charcoal, copic pen and pastel, 150 x 100cm. Photo: Courtesy the artist.

 

 

 

 

 

 

Kim Anderson, Mourning Dance II, 2018, charcoal, copic pen and pastel, 150 x 100cm. Photo: Courtesy the artist.

 

 

 

 

 

 

Kirsten Button, Coal Running, 2019, ink, pencil, charcoal, colour pencil and ball point pen, 63 x 80cm. Photo: Courtesy the artist.

 

 

 

 

 

 

 

Veronica Cay, before and after 60, 2019, mixed media, 76 x 57cm. Photo: Courtesy the artist.

 

 

 

 

 

 

Ray Coffey, Samuel the Addict, 2017, charcoal, 115 x 175cm. Photo: Courtesy the artist.

 

 

 

 

 

 

Jamie Congdon, Taxi Drawing, 2019, animation, 8.70 MB. 1min 16 sec. Photo: Courtesy the artist.

 

 

 

 

 

 

 

Cam Crossley, Daya, 2019, pastel on paper, 75 x 49. Photo: Courtesy the artist.

 

 

 

 

 

 

Joel Crosswell, Mothamorphosis III, 2019, ink and charcoal on paper, framed, 76.5 x 57cm. Photo: Courtesy the artist.

 

 

 

 

 

 

Chelle Destefano, My Auslan Movements, 2019, pencil, pastel and gouache on paper, 40 x 75. Photo: Courtesy the artist.

 

 

 

 

 

 

Jesse Dolman, Motion Sickness, 2019, indian ink and watercolour, 490 x 490. Photo: Courtesy the artist.

 

 

 

 

 

 

Tim Fry, Where The Wild Things Are, 2019, biro and paint pen on cardboard, 52 x 71cm. Photo: Courtesy the artist.

 

 

 

 

 

 

 

 

Todd Fuller, My Brother calls this place God's Country, 2018, chalk, charcoal and acrylic animation, 8:06mins. Photo: Courtesy the artist.

 

 

 

 

 

 

Todd Fuller, To see the ovean for the first time, 2019, hand drawn animation, acrylic and charcoal on paper, 4:47mins. Photo: Courtesy the artist.

 

 

 

 

 

 

Jane Grealy, Blue Day, 2019, pastel and watercolour on paper, 36 x 72 cm. Photo: Jane Grealy & Associates Pty. Ltd.

 

 

 

 

 

 

Samir Hamaiel, FRACTURE, 2019, coloured pencil drawing on black paper, framed, 42 x 59cm. Photo: Courtesy the artist.

 

 

 

 

 

 

Michele Heibel, Black Boy White Boy, 2018, etching needle on clayboard black, 12.5 x 11. Photo: Courtesy the artist.

 

 

 

 

 

 

Domenica Hoare, Catch the breeze, 2018, charcoal drawing on paper, 86 x 119cm. Photo: Courtesy the artist.

 

 

 

 

 

 

 

Melody Jones, Pendulum. Photo: Courtesy the artist.

 

 

 

 

 

 

Jennifer Keeler-Milne, Treetops sketchbooks, 2019, pencil on paper, card, 40 x 60cm. Photo: Courtesy the artist.

 

 

 

 

 

 

Suellen Kennewell, Ding Dong the Witch is Dead, 2019, felt tipped pen, charcoal and pastel on paper, 29.5 x 60.5cm. Photo: Garrett Design Pty. Ltd.

 

 

 

 

 

 

Robyn Kinsela, Moments of Silence, 2018, graphite and collage on arches paper, 74 x 80. Photo: Robyn H & Stuart K Kinsela.

 

 

 

 

 

 

Barbie Kjar, Maurizio/Malapena, 2018, ink, charcoal and watercolour drawing, 112 x 152cm. Photo: Courtesy the artist.

 

 

 

 

 

 

Jo Lane, Untitled (Co-operation), 2019, graphite and human hair on paper, 76 x 56 cm. Photo: Courtesy the artist.

 

 

 

 

 

 

Jo Lane, Casting Vapors, 2019, graphite and human hair on paper, 40 x 30 cm. Photo: Courtesy the artist.

 

 

 

 

 

 

Caterina Leone, Self/allegory of vanity, penitence and the male gaze, 2019, silverpoint (.99 silver and 23k gold) and acrylic spray paint on wood panel, 60cm diameter. Photo: Courtesy the artist.

 

 

 

 

 

 

Dennis McCart, Only the landscape has changed, 2019, pencils, pastels, charcoal, highlighter pens, ball-point pens, acrylic spray paint on gesso coated plyboard with animation, 81 x 100cm. Photo: Courtesy the artist.

 

 

 

 

 

 

Lyn Raymer, Verge, 2019, charcoal, conte on fabriano, 38 x 80cm. Photo: Courtesy the artist.

 

 

 

 

 

 

Sandra Ross, Teetering, 2019, mixed media, 120 x 84cm. Photo: Courtesy the artist.

 

 

 

 

 

 

 

 

Kathryn Ryan, Presence, 2018, charcoal on paper, 72 x 52cm. Photo: Courtesy the artist.

 

 

 

 

 

 

Elif Sezen, Unknown woman with a bird, 2019, ink and pen on paper, 63 x 55. Photo: Courtesy the artist.

 

 

 

 

 

 

Tim Spellman, "Ceramic Self Portrait", 2018, ballpoint pen on paper, 95 x 72. Photo: Courtesy the artist.

 

 

 

 

 

 

Rebecca Stewart, Infighting, 2019, ink and wash on paper, 43 x 58cm. Photo: Courtesy the artist.

 

 

 

 

 

 

Kylie Stillman, Borrowed Landscape, 2018, archival print from hand-stitched thread on paper, 76 x 56cm. Photo: Courtesy the artist.

 

 

 

 

 

 

Jacqui Stockdale, Azuma to Istok (East to East), 2019, pen on paper, 125 x 94 x 5cm  (drawings on paper total 12 metres in length when stretched out). Photo: Courtesy the artist.

 

 

 

 

 

 

Ross Taylor, You've Got To Say Yes To Success, 2019, pencil on paper, 84 x 59cm. Photo: Courtesy the artist.

 

 

 

 

 

 

 

Karen Thorn, Interior Self, 2019, pen ink on paper, 1900 x 1140. Photo: Courtesy the artist.

 

 

 

 

 

 

Paul White, Golden Slumbers, 2018, pencil on gesso washed hardwood with copper leaf, 106 x 96. Photo: Courtesy the artist.

 

 

 

 

 

 

Anastasia Wiltshire, Dog, Us and our Other, 2019, charcoal and oil on paper, 138 x 98. Photo: Courtesy the artist.

 

 

 

 

 

 

Lisa Woolfe, Plateau 6, 2018, charcoal on fabriano paper, 120 x 150cm. Photo: Courtesy the artist. 2019 WINNER - Congratulations Lisa!